The Hunger (1983) 1080p YIFY Movie

The Hunger (1983) 1080P

The Egyptian vampire lady Miriam subsists upon the blood of her lovers. In return the guys or girls don't age...

IMDB: 6.618 Likes

  • Genre: Fantasy | Horror
  • Quality: 1080p
  • Size: 1.44G
  • Resolution: 1920*808 / 23.976fps
  • Language: English
  • Run Time: 97
  • IMDB Rating: 6.6/10 
  • MPR: R
  • Peers/Seeds: 2 / 20

The Synopsis for The Hunger (1983) 1080p

The Egyptian vampire lady Miriam subsists upon the blood of her lovers. In return the guys or girls don't age... until Miriam has enough of them. Unfortunately that's currently the case with John, so his life expectancy is below 24 hours. Desperately he seeks help from the famous Dr. Sarah Roberts. She doesn't really belive his story, but becomes curious and contacts Miriam ... and gets caught in her ban, too.


The Director and Players for The Hunger (1983) 1080p

[Director]Tony Scott
[Role:Miriam Blaylock]Catherine Deneuve
[Role:Tom Haver]Cliff De Young
[Role:Sarah Roberts]Susan Sarandon
[Role:John Blaylock]David Bowie


The Reviews for The Hunger (1983) 1080p


Critics hate it and I love it...go figure.Reviewed byJP2A2MVote: 7/10

For all the critics have to say, I must admit that this is one of my cult favorites. I keenly remember anticipating its release and seeing it at the 8th St. Playhouse theatre (where the weekly Rocky Horror movie/show ran for years in NYC). The mood and cinematography attest to its aspirations and for me are quite successful. In particular, the choice of soundtrack music is quite adept and urbane although only those very familiar with classical music will appreciate the tie-ins: Deneuve's playing of Ravel's "Gibet" from "Gaspard de la Nuit" for piano after John passes and after Sarandon's character makes her first kill...her husband. This piece is Ravel's programmatic interpretation of a French poem which describes a person wearily walking under the intense scorching sun and seeing something in the distance, approaches, only to find a corpse strung up, rotting in the midday sun. Beautiful usage of Schubert's Piano Trio as well as haunting movements of a Schubert piano sonata. Then there is the obvious thematic tie-in with "Lakme" by Delibes. (Lesbian love) And you've got to love the use of the band BAUHAUS in the opening sequence-with the lead singer singing "Bela Lugosi's Dead" in the suspended cage. Deneuve is absolutely ravishing and used to great effect and lovingly photographed. David Bowie does an exceptional turn as her lover. What I admire most is the movie's ability to paint a feeling and mood of their existence outside time, eternally present yet eternally on the fringe, startlingly beautiful yet shrouded, veiled, amorphous and ultimately predatorial. Finally, the thought that Deneuve's past lovers never die but are trapped eternally in a constantly decaying shell is absolutely frightening. Did I mention that Deneuve is sublimely beautiful?!

Totally EightiesReviewed byOggzVote: 9/10

Before embarking onto this one, you must decide whether or not you enjoy films which look like a very extended (and quite expensive) MTV video clip of the early to mid 80's. If you don't, don't bother with this, it'll probably annoy you greatly. If you do, you're in for an indulgent visual ride and great entertainment, because every frame in Tony Scott's cult classic is carefully planned, beautifully orchestrated and wonderfully filmed - from the iconic opening sequence through to the heavily filtered last shot, it's polished until it gleams. Production design is given full reign and is faultless - the sets, lighting and costumes work fabulously with the soundtrack and the editing, creating a very recognisable style which is a genuine product of the trend aesthetics of the decade in question. And there's an added bonus of knowing use of music - this being the film that "relaunched" the Delibes' Lakme aria, paving the way for it becoming a monster classipop hit it is today. The film also employs Ravel at his most frozenly emotional,and, to stunning effect, Deneuve at arguably her most frozenly beautiful. One of those films remembered for perfectly encapsulating the visual style of its times.

Sexy vampire noir has boredom written for those of a different tasteReviewed bynarnerbee ([email protected])Vote: 5/10

THE HUNGER, unquestionably one of the most impressive stylized filmmaking of its kind. Using such techniques as classical music, and visual storytelling, not to mention the usage of sound as well, this sexy tale of blood, lust, and demonic dealings takes vampires to the next level. Susan Sarandon is struggling medical woman, trying to discover the secrets of natural aging. Bowie and Deneuve are well out as eternal bloodsuckers meeting a tragic end, as Bowie finds himself rotting away, slowly. Once Bowie is out of the picture, Deneuve has her sights on Sarandon(unique love scene between the two). While never failing to deliver well plotted story, this one grows boring at times, to those uneasily interested. Many incidents, which prove affective to some,are often slow and dull to others, perhaps aquired taste best describes the tone for most viewers. Playing more like a tragic drama, the creators catch most attention with an opening to hard to resist. Even the most uninterested cannot turn from the "Bela Lugosi Is Dead" act, as well as Shuberts "Trio In E Flat" oversounding the sad moments bringing the film to an automatic saddness, which never really goes away. Still, always impressive in many other ways, this film might enlighten others who need soap opera-esque escape matters. THE HUNGER may not grace some people, but others will find this one to be very thrilling in different ways. Always give the film a chance before judging too harshly, and THE HUNGER has its own way of getting attention, it got mine.

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