Ex Machina (2015) 1080p YIFY Movie

Ex Machina (2015) 1080P

A young programmer is selected to participate in a breakthrough experiment in artificial intelligence by evaluating the human qualities of a breathtaking female A.I.

IMDB: 8.1527 Likes

  • Genre: Drama | Sci-Fi
  • Quality: 1080p
  • Size: 1.63G
  • Resolution: 1920*808 / 23.976fps
  • Language: English
  • Run Time: 108
  • IMDB Rating: 8.1/10 
  • MPR: R
  • Peers/Seeds: 12 / 311

The Synopsis for Ex Machina (2015) 1080p

Caleb, a 26 year old coder at the world's largest internet company, wins a competition to spend a week at a private mountain retreat belonging to Nathan, the reclusive CEO of the company. But when Caleb arrives at the remote location he finds that he will have to participate in a strange and fascinating experiment in which he must interact with the world's first true artificial intelligence, housed in the body of a beautiful robot girl.


The Director and Players for Ex Machina (2015) 1080p

[Director]Alex Garland
[Role:Kyoko]Sonoya Mizuno
[Role:Ava]Alicia Vikander
[Role:Caleb]Domhnall Gleeson
[Role:Nathan]Oscar Isaac


The Reviews for Ex Machina (2015) 1080p


Writer Director Alex Garland is a powerhouse of talentReviewed bychriscrudelli-220-144403Vote: 10/10

I rarely do this because there is so much rubbish out there but I'm going to recommend a movie. Writer Director Alex Garland has done an amazing job, it's beautifully shot, fantastically lit, intelligently written, brilliantly cast. the edit is original and brave, as is the direction of the edit, There is nothing superfluous, to the contrary it' has a sharp Zen like quality, clearly the application of a disciplined mind. The movie is's self is engaging, thoroughly watchable, the characters are simple and yet layered with complexity. The film strikes the perfect balance of not spoon feeding and not dumbing down but not being too arty or intellectual just for the sake of it. Best seen in a cinema I reckon.

Highly recommended!Reviewed byCharlieGreenCGVote: 5/10

Having wrote the stories to some of his biggest hits, first-time director, Alex Garland, has spent a lot of time with the masterful Danny Boyle: working on such films as The Beach, 28 Days Later and Sunshine. Now, writing and directing his feature debut, Garland proves that he has been paying attention and taking tips as he tackles a complex sci-fi thriller about artificial intelligence. Featuring Domnhall Gleeson and Oscar Isaac, the stars of the upcoming Star Wars adventure, plus talented newcomer, Alicia Vikander ? who stars in three films this month; Ex_Machina is quite well profuse. Jumping right in, we are introduced to Caleb (Gleeson), a twenty- four year old coder who wins a chance to spend a week at his CEO bosses luxury house. Travelling for many hours over his private estate via helicopter, he arrives at a remote mountain villa. Where he meets Nathan (Isaac) ? a prodigy programmer, who at the young age of thirteen created the foundations of Bluebook (our equivalent to Google and Apple combined). Now, middle-aged and extremely wealthy from his companies growing success, he lives a reclusive life at his custom-built smart house, which is insulated by intelligent automated features and billionaire gadgets. Addressing the concept that life is different at this remote location ? which is more of a research facility - Nathan invites Caleb to be part of an experience during his one week stay. An experiment that he classes as the greatest discovering of mankind; to test the world's first artificial intelligence system, which is housed inside the body of a beautiful robot girl (Alicia Vikander). Of course, the AI' concept has been tackled many of times in contemporary film - most recently in Wally Pfister's directorial- flop, Transcendence. In reality, the closest thing we have to it is Siri. Yet, Garland's vision of AI is extraordinarily superior and physiologically mesmerising to witness. For Domnhall Gleeson, the premise of his character is similar to that of his characters once played in Frank, or About Time ? one that is thrown into a portal of unknown weirdness, and often out of his depth. Over the seven days of testing, Caleb must perform the scientific 'Turing test' on Nathan's AI' system, nicknamed Ava; the idea of which is to deduce God-like theories and philosophical concepts ? do robots feel a consciousness? If disguised, would you know it is a robot? Is it ethical? It's heavy material for Garland, but no stranger to psycho- thrillers, he explores futuristic concepts as if AI's really do exist. Equally, the craft behind Ex_Machina is exceptional. A beautiful piano theme plays methodically, with often mix of silence setting the unique atmosphere. Whilst mainly set inside Nathan's enclosed premise (with no windows), the camera work is mounted aesthetically. Now, in her third film this month, Alicia Vikander shows that she is able to tackle any form of performance with extreme clause. Whether she is a young-women coming of age during World War One (Testament of Youth), a love-interest of a criminal (Son of A Gun), or now a robot, she is outstanding. Fluxed movements, and facial expressions through seamless CGI, she steals all scenes present. Compressed into an impressive 1 hour 48 minute running time - considering the ground it has to cover for such a serious sci-fi drama, Ex_Machina, still manages to find time for sublime humour. Taut, fascinating and simply intriguing. Alex Garland's debut film comes highly recommended.

Intriguing, unpredictable and tenseReviewed byDeathstrykeVote: 8/10

"Ex Machina" deals with a familiar theme in a very unique way. It doesn't bombard you with effects or superficial action (although the robot effects are exceptional). Rather, its focus and beauty lie in the subtle and nuanced performances of its tiny cast as the film explores what it means to be human. Quiet dialogue scenes between two characters are filmed in such an impactful, making them feel hauntingly austere, sweet and innocent, or terrible and frightening, through meticulous use of composition, light and sound. The film really does run the gamut of emotions, surprisingly funny one minute and gut-wrenchingly tense and weird the next, while the script twists and turns, constantly unsettling your assumptions about what will happen. The performances are excellent, most notably Alicia Vikander as the beguiling Ava, who absolutely passes for being 'almost human'. Her precise movements -walking, standing or stooping to pull on a pair of stockings- have just that slight tinge of the uncanny about them to suggest a mechanical skeleton, yet she is undeniably seductive. You can really understand Caleb's mental plight as she begins to show signs of a sexual interest in him! Domhnall Gleeson also delivers a quiet and focused performance as Caleb, which reflects much of the film's over all style. Like Ava, he is relatable, yet has this slight autistic aloofness about him, in complete contrast to the boorish, reckless Nathan (Oscar Isaac). The dialogue feels real and non-cliche. The pacing for the most part is measured, although one or two scenes might move a little slower than they need to. The ending probably will not satisfy everyone, and admittedly left me a feeling a bit cold, but it certainly didn't follow the route I was expecting. Overall I found it to be enthralling and disturbing stuff.

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